Networked Art Forms and Tactical Magick Faerie Circuits (Part I of II)
Selena de Carvalho performing "(un)popular culture" at NMF:TMFC
photo: Aaron Horsley
Selena de Carvalho performing "(un)popular culture" at NMF:TMFC
photo: Aaron Horsley
Plus d’un an après les soulèvements étudiants au Québec, où en sont les réflexions sur l’éducation? À l’occasion de la résidence « SKOOL » du Centre de pédagogie féministe (CPF) au Centre des arts actuels Skol cet été, .dpi s’est entretenu avec Ania Wroblewski et Jen Kennedy, en franglais, afin d’inaugurer une nouvelle collaboration via le blogue de la revue. Surveillez cet espace pour des articles documentant leurs activités et intérêts en lien avec la pédagogie féministe!
I can't get it on my phone, but probably it is ok. It probably is extensive and useful if you don't already get emailed by all the galleries with their press releases and updates and Facebook and what not. The RCAAQ has the Réseau Art Actuel Centre Ville art map app and that works too. So does the Mile End art map which is not just Mile End, but also not an app, just a map. Pavillion Projects also has a map. Does Artforum need one too? Maybe. Who knows? They cater to different audiences. I wonder how much they spent to make the app? Apps are expensive. And you have to pay for theirs, which is less cool. The RCAAQ app is free. I would probably use it though, if I was travelling and was too lazy to read their website directly. But I won't use it for Montréal.
Une représentation d’une projection filmée par Lindsay McIntyre
2012, 25-30 min
Pictured above: scenes from Teoma Naccarato's newest cyberperformance Dirt.
The stout, lumpy figure of Ena Sharples stands at the corner of a functional looking balcony staring out over the rooftops of an anonymous urban landscape. A mishmash of red brick terraced streets fades into obscurity behind her. She slumps heavily over the railings wearing an unflattering Ulster coat and an expression of discontent. It's a melancholy portrait.
by micha cárdenas
This is a call to all feminist hackers, anti-racist coders, gender hackers, genderchangers, queer and trans hackers, political hackers, anti-violence activists and networked activists to help stop violence against queer and trans* people, people of color, disabled people and women.
Many forms of daily violence - sexual, gender, racial, ableist and state-sponsored (committed by police) - are only increasing. As global warming, neoliberalism, and neocolonialism continue, more and more people are subject to violence on a daily basis due to social instability. This is a call to people to acknowledge that the Internet era has not brought more safety but less. This is a call to say we need more people hacking safety. Why do we have better software to share pictures of lunch than we do to keep each other safe?
« Il y a un élément de performativité dans le design Web. »
Conférence au festival Sight + Sound
26 mai 2013, Eastern Bloc
Conférencier-ère-s: Jennifer Chan, Vincent Chevalier, Emilie Gervais, Heather Dewey-Hagborg
Modératrice: Michelle Lacombe
Compte-rendu et photo par Deanna Radford
Dans le mini-documentaire de Veronique Soucy, l'artiste Coral Short parle de « Don't Beat Yourself Up », une performance durant laquelle l'artiste combat l'auto-dénigrement sur un ring. « Don't Beat Yourself Up » a été executé à l'édition de cette année du festival Edgy Women.
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